Hevel

Idan Sharabi

Israel

Conventional knowledge is death to our souls, and it is not really ours. We must become ignorant of what we have been taught and be instead bewildered. Destroy our reputation. Be notorious. I have tried prudent planning long enough. From now on, I’ll be mad.” ~ Rumi

Rumi’s poem precisely captures my core gut feeling in this creative process. On stage, two ends of a process are presented: artwork & viewer, artist & interviewer, choreographer & dancer, mind & emotion, like Cain & Abel.

Abel is both a figure and a symbol. As Cain’s brother, he is the sacrificial figure, but also in Hebrew he is the symbol for “vanity of vanities,” which for me is a reminder for ease & calm in the face of eternal life, one that does not truly end in a single incarnation. “Abel” invites the audience to wonder – what is art, or truth? In an attempt to let go of the ‘true sickness’ of our exhausting seriousness & remind us that death is not truly scary but is most likely our gateway to what simply comes next..

Choreography: Idan Sharabi
Dancers: Nuri Shtrit and Idan Sharabi
Soundtrack and Lighting: Idan Sharabi
Texts and Translation: Rumi (translated by Racheli Sender, Idan Sharabi, and Vered Zablotsky Sharabi)

Idan Sharabi
Idan Sharabi is a choreographer, multidisciplinary artist, and a certified Trilotherapy (Nissim Amon Method) and Rega Movement facilitator. He leads workshops focused on healing through movement and inner communication and is financially supported by the Israeli Ministry of Culture, since 2013, residing in the Israeli Choreographers Association. As a choreographer, he has been commissioned to create works for renowned companies and international festivals, including NDT 2, the Israeli Ballet, Kibbutz Contemporary Dance Company, the Royal Danish Ballet, Ballet Chileno, and others. As a dancer, Sharabi trained at Thelma Yellin High School of the Arts, continued his studies at The Juilliard School in New York, and joined NDT in the Netherlands and the Batsheva Dance Company in Israel.

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